Writer's Guide to Character Traits - A Review


Writer's Guide to Character Traits
By Linda N. Edelstein, PH.D.
Writer’s Digest Books

At almost 400 pages (trade paperback sized), this book looks really promising, but it bites off more than it can chew, trying to be all things to all people. Four hundred pages isn't enough for that.

It’s set up in an encyclopedic format, starting with the general categories of personality types and child and adolescent types and moving into more specifics such as psychological disorders, criminal types, sexual issues, etc. In each of these areas, you’re given the stock description of whatever the topic is. 

Not only does it try to define character types, it goes on to discuss life stages: childhood, adolescence and young adulthood; falling in love; getting married; having a family; divorce; step children, aging, bereavement, etc.

So we’ve got character types AND life stages. That’s awfully ambitious. Too ambitious, IMHO, because what you get is a superficial look at all of it. My feeling is that if I built a character on what’s here, I’d end up with a very clichéd character.

So what good is it?

Well, if one used this as an initial resource, it might have value. For instance, if you have a character (let’s say a villain) who has certain traits and you want him to appear consistent, you might peruse the psychological disorders section.

Let’s say, for instance, you decide that your character fits the profile of a narcissist. This book would give you some basic core traits but not a true in-depth understanding of the possible ways that personality profile might manifest itself. FREX: How does a narcissist respond when his view of himself is threatened? That’s not really covered here. (Having worked for a narcissist, I can tell you that they can do some pretty surprising—and appalling—things in the name of ego.) So you’d need to move on to more specialized source material, but this would work as a jumping off point. Just don't expect too much.

Thursday Writing Quotes ~ Faulkner

I write only when I'm inspired. Fortunately I'm inspired at 9 o'clock every morning. ~ William Faulkner

Earning the Happy Ending

Some years ago, I submitted one of the rare short stories I’ve written to a magazine. It was good enough to come home with a personal rejection that explained that hero hadn’t earned his happy ending. I wasn’t quite sure what that meant at the time, but I’ve since figured it out.
 
Happy endings (or unhappy one for that matter) can’t be gifts to the character. They can’t be happenstance or the result of someone else’s actions or choices. They can’t occur because the character happened to be in the right place at the right time. They must be the result of something the character did.
 
I was reminded of this recently when reading an early draft by a fellow writer. In chapter 1, the couple meets. In chapter 6, the hero thinks she’s the one. For me, this qualifies as insta-love.

For those of you who aren’t familiar with the term, insta-love is when two characters in a romance fall in love too quickly. Insta-attraction, insta-like, insta-lust are all okay, but insta-love? Not so much.

Like happy endings, love has to be earned. It’s earned in little moments as the two get to know and trust each other. It’s earned when he holds her while she cries or when she keeps his secrets or takes care of him when he’s sick.

Insta-love is too much like that guy who wants to get laid and doesn’t care who the woman is. All he’s looking for is a warm body. In a romance, you don't want readers to feel like the heroine is the warm body who happened to be at the right place at the right time. The reader needs to feel the this is the woman he'd have searched his whole life for.

So that's two things your characters have to earn. Love and happy endings.