Thursday Writing Quote ~ George R R Martin

The most important thing for any aspiring writer, I think, is to read! And not just the sort of thing you’re trying to write, be that fantasy, SF, comic books, whatever. You need to read everything. Read fiction, non-fiction, magazines, newspapers. Read history, historical fiction, biography. Read mystery novels, fantasy, SF, horror, mainstream, literary classics, erotica, adventure, satire. Every writer has something to teach you, for good or ill. (And yes, you can learn from bad books as well as good ones — what not to do).


And write. Write every day, even if it is only a page or two. The more you write, the better you’ll get. But don’t write in my universe, or Tolkien’s, or the Marvel universe, or the Star Trek universe, or any other borrowed background. Every writer needs to learn to create his own characters, worlds, and settings. Using someone else’s world is the lazy way out. If you don’t exercise those “literary muscles,” you’ll never develop them.
Given the realities of today’s market in science fiction and fantasy, I would also suggest that any aspiring writer begin with short stories. These days, I meet far too many young writers who try to start off with a novel right off, or a trilogy, or even a nine-book series. That’s like starting in at rock climbing by tackling Mt. Everest. ~ George R R Martin

Tuesday Teaser ~ The Mirror of Her Dreams

I'm reorganizing my library and I keep seeing books I should reread. The Mirror of Her Dreams (Mordant's Need, Book 1) by Stephen R. Donaldson is one of them. I love his writing. He has flashes of being a wordsmith that utterly captivate me. I especially love the fairy tale quality of the first chapter.



Blurb:
The daughter of rich but neglectful parents, Terisa Morgan lives alone in a New York City apartment, a young woman who has grown to doubt her own existence. Surrounded by the flat reassurance of mirrors, she leads an unfulfilled life—until the night a strange man named Geraden comes crashing through one of her mirrors, on a quest to find a champion to save his kingdom of Mordant from a pervasive evil that threatens the land. Terisa is no champion. She wields neither magic nor power. And yet, much to her own surprise, when Geraden begs her to come back with him, she agrees.

Now, in a culture where women are little more than the playthings of powerful men, in a castle honeycombed with secret passages and clever traps, in a kingdom threatened from without and within by enemies able to appear and vanish out of thin air, Terisa must become more than the pale reflection of a person. For the way back to Earth is closed to her. And the enemies of Mordant will stop at nothing to see her dead.

Opening:
  The story of Terisa and Geraden began very much like a fable. She was a princess in a high tower. He was a hero come to rescue her. She was the only daughter of wealth and power. He was the seventh son of the lord of the seventh Care. She was beautiful from the auburn hair that crowned her head to the tips of her white toes. He was handsome and courageous. She was held prisoner by enchantment. He was a fearless breaker of enchantments.
  As in all the fables, they were made for each other.

Teaser:
  Mirrors had a seductive beauty which spoke to her--but that wasn't the point. The point was that there was virtually no angle from which she couldn't see herself.
  That was how she knew she existed.

I love high fantasy and urban fantasy. This is a wonderful blend of the two. Would you keep reading?

Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! To see what others are sharing on the Teaser Tuesdays, check the comments at: http://adailyrhythm.com/






Share the first paragraph (or a few) from a book you are reading. Here's the link: Bibliophile By The Sea

Thursday Writing Quote ~ Crusie

Character is the reason the sexiest scenes may have no sex in them at all, while some explicit sex scenes are about as erotic as a shopping list. That’s because actions without context have no emotional impact; that is, unless you’re invested in a character who’s invested in the action and who is experiencing emotion because of that action, you can write detailed sex scenes that leave your reader yawning. ~ Jennifer Crusie