Time for the link round-up again.
Need proper language for a police character?
http://www.leelofland.com/wordpress/a-crime-writers-mini-dictionary-a-through-d/
http://www.leelofland.com/wordpress/a-crime-writers-mini-dictionary-e-through-f/
http://www.leelofland.com/wordpress/crime-writers-dictionary-from-gabaloo-to-hydrant-humper/
http://www.leelofland.com/wordpress/crime-writers-dictionary-from-ice-to-justifiable-homicide/
http://www.leelofland.com/wordpress/crime-writers-dictionary-from-ka-to-mugshot/
Here's an interesting post on Impact Characters:
http://www.helpingwritersbecomeauthors.com/2014/08/impact-character-2.html
A great post about character arcs and theme:
http://www.helpingwritersbecomeauthors.com/2014/01/minor-characters-help-discover-theme.html
This post discusses ways to open short science fiction stories, but the principles apply to all fiction.
http://io9.com/how-to-pick-a-killer-opening-for-your-science-fiction-s-1652443815
Some people have a knack for coming up with titles. I'm not one of them. If you're not either, maybe this will help.
http://nailyournovel.wordpress.com/2014/11/16/i-name-this-book-tips-for-choosing-a-good-title/
Here's another:
http://www.superheronation.com/2008/07/16/titling-your-novel/
Showing posts with label openings. Show all posts
Showing posts with label openings. Show all posts
Opening with Dialog
I was recently involved in a discussion about whether or not the "rule" about not opening a novel with dialog was a good rule or one of those urban myths of writing that you figure out is really aimed at newbie writers because they don't have the skills yet to do it well. My position is that you can do it as long as you do it well, but someone in the group said that published writers don't do it and they must know more than the rest of us. His mind was firmly made up, but I was sure he was wrong, so I set out to prove that established, selling authors do indeed start novels with dialog when they deem it appropriate. Here are the highlights of my research.
"Kiss me, babe."
"No, really." Beneath the light of a sixty-watt bulb on her porch, Adele Harris placed a hand on the chest of her latest date. "I've had enough excitement for one night."
"No, really." Beneath the light of a sixty-watt bulb on her porch, Adele Harris placed a hand on the chest of her latest date. "I've had enough excitement for one night."
~ Not Another Bad Date (chapter 1)by Rachel Gibson, New York Times and USA Today bestselling author
~ Marry the Man Today by Linda Needham, 1995 Romance Writers of America's Golden Heart winner
"Brett Rensselaer, you are a ruthless bastard."
~ Spy Sinker by Len Deighton, author of numerous best selling spy novels
"Who?" said the man occupying my new apartment.
I pressed the lease agreement against the screen door again so he could see it.
~ From Big Red Tequila
~ From Number the Stars
~ From The Wizard's Map by Jane Yolen, author of more than 170 books, winner of numerous awards, and president of the Science Fiction Writers of America from 1986 to 1988
~ from Getting Rid Of Bradley
"To be born again," sang Gibreel Farishta tumbling from the heavens, "first you have to die."
~ from Towers of Trebizond by Rose Macaulay, who won the James Tait Black Memorial Prize with this novel.
~ from Geek Love
"What do you mean you're not interested?"
~ from Tuesday the Rabbi Saw Red
“What, Mary, what?”
“Didn’t you see it?”
“See what?”
~ from Desperation
'Oh my God!' my friend Arnie Cunningham cried out suddenly.
~ from A Game of Thrones
~ from Ender's Game
~ from Manhunting
~ from Terminal City (Alex Cooper Book 16)
So there's what I've found. Do you have any examples to add to the list?
Nuggets
Writing a hooky opening line is always challenging. This might help.
http://www.superheronation.com/2011/01/26/some-observations-about-the-best-opening-lines/
Character voice
http://www.helpingwritersbecomeauthors.com/2013/12/common-mistakes-one-symptom-weak-character-voice.html
An excellent post on subplots
http://www.crackingyarns.com.au/2011/01/30/the-one-subplot-you-really-need/
How to write an ending
http://www.plottopunctuation.com/blog/show/does-your-denouement-murder-your-characters
I found this post about emotional arcs of scenes thought provoking
http://www.helpingwritersbecomeauthors.com/2015/01/characters-emotional-arc.html
An excellent guide for writing scenes
http://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/
http://www.superheronation.com/2011/01/26/some-observations-about-the-best-opening-lines/
Character voice
http://www.helpingwritersbecomeauthors.com/2013/12/common-mistakes-one-symptom-weak-character-voice.html
An excellent post on subplots
http://www.crackingyarns.com.au/2011/01/30/the-one-subplot-you-really-need/
How to write an ending
http://www.plottopunctuation.com/blog/show/does-your-denouement-murder-your-characters
I found this post about emotional arcs of scenes thought provoking
http://www.helpingwritersbecomeauthors.com/2015/01/characters-emotional-arc.html
An excellent guide for writing scenes
http://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/
Nuggets for September
Show don't tell can be hard when you don't know the minutia of how things are done. It's so easy to get it wrong even when you try to play it safe. Lee Lofland's post is of course not comprehensive, but if you have a cop collecting evidence, there's some nice detail here.
http://www.leelofland.com/wordpress/12-tips-to-help-your-detective-become-a-real-crime-solving-pro/
Got a story that includes the FBI? The FBI is willing to talk to you.
http://www.fbi.gov/news/stories/2008/october/a-guide-for-writers-authors-and-producers-1
Every writer I know struggles with the best way to start their novel, so this is an excellent reminder of what to watch out for.
http://storyfix.com/better-way-open-novel
Lee Lofland often posts about those little details of police procedures. Here are some nice ones that might inspire an idea or two and maybe add some authenticity to a story.
http://www.leelofland.com/wordpress/toilet-training-a-top-ten-list-for-your-hero/
Emma Darwin's blog The Itch of Writing is almost a master-level course in writing. It comes right to my inbox whenever there's a new post. This one talks about a topic that makes a lot of authors uncomfortable: writing sex
http://emmadarwin.typepad.com/thisitchofwriting/2014/08/ten-top-tips-ahem-for-writing-sex-scenes.html
http://www.leelofland.com/wordpress/12-tips-to-help-your-detective-become-a-real-crime-solving-pro/
Got a story that includes the FBI? The FBI is willing to talk to you.
http://www.fbi.gov/news/stories/2008/october/a-guide-for-writers-authors-and-producers-1
Every writer I know struggles with the best way to start their novel, so this is an excellent reminder of what to watch out for.
http://storyfix.com/better-way-open-novel
Lee Lofland often posts about those little details of police procedures. Here are some nice ones that might inspire an idea or two and maybe add some authenticity to a story.
http://www.leelofland.com/wordpress/toilet-training-a-top-ten-list-for-your-hero/
Emma Darwin's blog The Itch of Writing is almost a master-level course in writing. It comes right to my inbox whenever there's a new post. This one talks about a topic that makes a lot of authors uncomfortable: writing sex
http://emmadarwin.typepad.com/thisitchofwriting/2014/08/ten-top-tips-ahem-for-writing-sex-scenes.html
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