In creative writing classes in college, the professors will say, ‘Write what you know.’ And that’s often misinterpreted to mean you should write a thinly veiled autobiography. [Like] a graduate student in English Literature at University, writing a story in which the hero is a graduate student in English Literature at University. It would seem to, on the surface, disallow science fiction and fantasy and so forth, since none of us are actually barbarians or knights or lords or even peasants. But I think you have to interpret ‘Write what you know’ much more broadly than that. We’re talking about emotional truth here. We’re talking about reaching inside here to make your characters real. If you’re going to write about a character witnessing a loved one die, you have to dig into yourself, and say, “Did you ever remember losing a loved one?” Even if it’s only a dog that you loved as a child or something. Tap that vein of emotional energy. In some ways, it’s not terribly different from what method actors do…. We observe other people from the outside. The only person we ever really know inside and out is ourselves, and we have to reach into ourselves to find the power that makes great fiction real. ~ George R R Martin
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That certainly does make sense.
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